Once again, the Oscars are amongst us. This year, the 79th Annual Academy Awards proves to be the most exciting and most even yet, with all nominations quite balanced and all strong contenders for their awards.
And since http://fineattitude.blogspot.com is such a wonderful blog, I bring to you once more the *drumrolls* ALL-SEEING EYE!
Of course, my all-seeing eye returns just for this one time, to see through this year’s Oscars. Who should win? Who *quote someone in my class* WIN ALREADY?!
Oscar: Best Cinematography
The Nominees Are:
- The Black Dahlia
- The Illusionist
- Pan’s Labyrinth
- Children of Men
- The Prestige
And The Oscar goes to…
THE PRESTIGE
Why: The Prestige, a marvelous film featuring Hugh Jackman and Christian Bale, is extremely well-shot. The images span fast, moving from scene to scene in a snap fashion, making sure the action doesnt let down and no scene is wasted. The beauty of it is that the “magic tricks” are well-captured, in angular shots that make us see everything.
Anyone Else: The Illusionist comes close, but if we’re talking a contender, Pan’s Labyrinth has to be the one. Utterly frightening and psychotic, the scenes are horrifying and the camera doesn’t let out on the horror. Erk.
The Real Winner: Pan’s Labyrinth
Score for The All-Seeing Eye: 1/2
Oscar: Best Writing (Adapted Screenplay)
The Nominees Are:
- Borat: Cultural Learnings Of America For Make Benefit Glorious Nation of Kazakhstan
- Children of Men
- The Departed
- Little Children
- Notes on a Scandal
And the Oscar goes to…
NOTES ON A SCANDAL
Why: Judi Dench’s character is excellently written. I wonder who could possibly be the one who could think up such a sick, sick, twisted, absolutely mad woman. I do mean that literally. Judi Dench’s completely psycho, crazy and delusional lesbian character is written with so much depth that it’s hard to ignore the entirety of this character and how she fits with the plot and the other characters. Notes on a Scandal, definitely.
Anyone Else: Borat may be one for fighting for this award, but it’s quite weird, considering there wasn’t much writing at all, save for Borat’s weird, weird and more weird lines (some even borderline disgusting, like taking out and using your mother’s tit milk). So if I were to choose another, it would have to be The Departed. Though an adaptation from Infernal Affairs, it is still marvelous and nice to watch.
The Real Winner: The Departed
Score For The All-Seeing Eye: 1/2
Oscar: Best Writing (Original Screenplay)
The Nominees Are:
- Babel
- Letters From Iwo Jima
- The Queen
- Little Miss Sunshine
- Pan’s Labyrinth
And The Oscar goes to…
BABEL
Why: Babel is excellent. I congratulate the writer for being able to so wonderfully craft four different stories, set in four different countries, nationalities and languages. And then able to string together ALL four of the stories in one chain, linking them up so flawlessly and creating a story so saddening and emotional that it’s hard not to feel for the characters.
Anyone else: No one, really, comes close. But another good one would be Pan’s Labyrinth, who I think may surprise. The whole nightmarish/fantasy element and the freakshow characters are quite unique and creative in its own right, and achieves a level of otherworldly fascination.
The Real Winner: Pan’s Labyrinth
Score for the All-Seeing Eye: 1/2
Oscar: Best Costume Design
The Nominees Are:
- Curse of the Golden Flower
- Dreamgirls
- The Devil Wears Prada
- Marie Antoinette
- The Queen
And The Oscar goes to…
CURSE OF THE GOLDEN FLOWER
Why: I’m a big fan of ancient costumes. Costumes that were set in ancient times, filled with colour and luscious lines. Marie Antoinette’s Victorian/aristocratic designs were good, but nothing beats the Chinese wartime armor and dresses in Curse of The Golden Flower. Plus, Gong Li’s boobs were spilling over. Good design indeed.
Anyone else: Dreamgirls is a good contender, with their Motown 70’s outfits striking up chords. Wigs, glitter and a whole lot of attitude make for excellent costumes.
The Real Winner: Marie Antoinette
Score for the All-Seeing Eye: 0
Oscar: Best Supporting Actress
The Nominees Are:
- Adriana Barraza (Babel)
- Cate Blanchett (Notes on a Scandal)
- Jennifer Hudson (Dreamgirls)
- Rinko Kikuchi (Babel)
- Abigail Breslin (Little Miss Sunshine)
And The Oscar goes to…
JENNIFER HUDSON (Dreamgirls)
Why: Is there even a reason NOT to give her the Oscar? One of the best actresses that I have EVER seen (granted, it’s only her DEBUT), Jennifer Hudson brings in her own unique style to Dreamgirls. Supersized body, voice and attitude, she portrays the heartbroken and betrayed character of Effie White so dastardly GOOD that it’s hard not to feel for her when she’s belting out ‘And I’m Telling You I’m Not Going’ on the bar stage all alone. The power in her voice and soul is so strong, that it practically rips at the roof of the theatre you’re in and threatens to bring in the angels from the skies to play her music.
Anyone else: This one’s tough. I would put down money for Cate Blanchett, as her portrayal of the kind, easy-to-trick, vulnerable Sheba Hart is VERY convincing, and done expertly. I wouldn’t rule out Rinko Kikuchi yet, because of her portrayal as the protagonist in the Japan part of Babel’s storyline is one of the best, and Abigail Breslin, for all her 10 years of age, is impressive enough. But it would be hard for any of them to beat the powerhouse that is Jennifer Hudson.
The Real Winner: Jennifer Hudson (Dreamgirls)
Score for the All-Seeing Eye: 1
Oscar: Best Supporting Actor
The Nominees Are:
- Mark Wahlberg (The Departed)
- Eddie Murphy (Dreamgirls)
- Djimon Hounsou (Blood Diamond)
- Jackie Earle Haley (Little Children)
- Alan Arkin (Little Miss Sunshine)
And The Oscar goes to…
EDDIE MURPHY (Dreamgirls)
Why: It’s been a long time since Eddie took home an Oscar, and he shows he still has what it takes to make it in the good stuff. His acting is first-rate (what else did you expect from EDDIE MURPHY) and he plays James “Thunder” Early so well that it becomes more than a supporting role and something more. From the first appearance playing the piano with the Dreamettes to his final song, dropping his pants on stage to a James Brown song, to his vengeful, hurt and resigned look (all AT THE SAME TIME) toward the end of the show, he gives the character dimension.
Anyone Else: I didn’t watch Blood Diamond at all, so I have no idea what Hounsou did. So maybe it’s not fair for me to judge this one. But if I had to choose one, Mark Wahlberg would make a good pick. Nothing like him in The Departed to remind us of the controversials of good and evil, and the fine line between them.
The Real Winner: Alan Arkin (Little Miss Sunshine)
Score for the All-Seeing Eye: 0
Oscar: Best Actress
The Nominees Are:
- Helen Mirren (The Queen)
- Judi Dench (Notes on a Scandal)
- Kate Winslet (Little Children)
- Meryl Streep (The Devil Wears Prada)
- Penelope Cruz (Volver)
And the Oscar goes to…
HELEN MIRREN (The Queen)
Why: Prim, proper and powerful. Words to describe Her Majesty Queen Elizabeth II. Helen Mirren is wonderful in her role as the monarch, calm, gentle, yet at the same time saddened by the death around her. Her face is properly placed, politically pleasing but when one looks into her eyes (as the camera so efficiently zooms in) one can see the sadness and truth that lurks within. A resounding character, made even more real by Mirren.
Anyone Else: I didn’t watch Volver either. So sue me. I would say, however, that I rather liked Meryl Streep’s performance as Miranda Priestly. I blogged about The Devil Wears Prada a while ago (go find it in my archives) and I mentioned that one of the reasons why the movie is so good is because Streep, America’s Greatest Living Actress, makes the character seem so perfect and at the same time so flawed. Her cold features, her unforgiving steely glare, are all so perfectly contoured, and at the end when she smiles, the heart in your chest just warms, giving you a sense of her character’s completion.
The Real Winner: Helen Mirren (The Queen)
Score for the All-Seeing Eye: 1
Oscar: Best Actor
The Nominees Are…
- Forest Whitaker (The Last King of Scotland)
- Leonardo DiCaprio (Blood Diamond)
- Ryan Gosling (Half Nelson)
- Peter O’ Toole (Venus)
- Will Smith (The Pursuit of Happyness)
And the Oscar goes to…
NO ONE!
(I’m joking. I’m abstaining from this guess cos I have NOT watched ANY of the 5 movies mentioned above. The Pursuit of Happyness is coming into Singapore theatres sometime though, so there’s my chance.)
The Real Winner: Forest Whitaker (The Last King of Scotland)
Oscar: Best Director
The Nominees Are:
- Martin Scorsese (The Departed)
- Alejandro Gonzalez Inarritu (Babel)
- Clint Eastwood (Letters From Iwo Jima)
- Paul Greengrass (United 93)
- Stephen Frears (The Queen)
And the Oscar goes to…
MARTIN SCORSESE (The Departed)
Why: Besides lending his creative intelligence to this remake of Infernal Affairs and exploding it to proportions more magnificent than anyone could dispute with, Martin Scorsese thins the line between good and evil, and makes both sides tempting and equally absorbing.
Anyone else: All eyes are on Clint Eastwood, and are expecting a replay of 2005’s Oscars, where Eastwood’s Million-Dollar Baby and Scorsese’s The Aviator squared off. Only this time, instead of Eastwood scoring top honours Scorsese might take it from under him. However, I think a dark horse here everyone overlooked is Paul Greengrass, captain (figuratively) of United 93. Meaningfully done, Greengrass did not compromise the emotion and the realness of that situation to form a wonderful, heartwarming and inspiring (albeit VERY sad) story of the doomed flight United 93.
The Real Winner: Martin Scorsese (The Departed)
Score for the All-Seeing Eye: 1
Oscar: Best Picture
The Nominees Are:
- Babel
- The Departed
- Letters From Iwo Jima
- Little Miss Sunshine
- The Queen
And the Oscar goes to…
BABEL!!!!!
Why: Although all eyes are on the battle between Scorsese and Eastwood, Babel scores top honours for being one of the most intricately weaved stories of this year’s Oscars (2006). Babel is magnificent, conjoining stories across the globe, and getting a real message across. The miscommuncation and terrorism fears are real, and the misunderstandings can lead to a huge climax that may rock the world. Babel explores this scenario and the result is a breathtaking, whirlwind 2 hours. From start to finish, there is no space for rest or intermediate scenes. It is action and emotion at its best, all-out, demanding and excellent.
Anyone else: This is where Letters From Iwo Jima and The Departed have a chance to face off. But with Babel taking top spot most likely, there ain’t gonna be another. It won’t matter.
The Real Winner: The Departed
Score For The All-Seeing Eye: 1/2
Take your pick, make your guess.
It’s all coming down to Monday 26th February, at the Kodak Theatre in Hollywood. Host will be Ellen DeGeneres (Love her, love her love her) and it’s time to make it in Movie’s Biggest Night! Catch it on Channel 5 live at 9 am!
Let’s see if the All-Seeing Eye can still See.
(UPDATE!: Yes it still can! 5 points out of a maximum 9 which I posted here! Pass lah, pass lah!)
Keep it real! =)
P.S For more info go to the official website of the 79th Annual Academy Awards.







